Barry Middleton (BM) Interview with Ian Siegal (Ian) - June 2010
Ian: My earliest memory is hearing Muddy singing "I Just Want To Make Love To You" although it could also be the Stones version of "Red Rooster"-we had a lot of Stones playing in the house.
BM: Who were the influences on your musical career?
Ian: First were my cousin Jim Berry and, more so, his drummer Dave Houghton who'd recently left Joe Jackson's band (he's back in now with the original line-up). Then in Nottingham there was Harry Stephenson, Colin Staples and of course I saw Big George there for the first time, "in the Golden era of the Running Horse I got to be around great singers like Phil Tanner, guitarists like Tony Crosby, Howard Smith-many others, a great harmonica player named Tim Disney. We had some great jam sessions-and very late nights!" Listening-wise it was Waits, Waters, Wolf, Little Richard, Elvis.....I could go on for hours!
BM: Which young act on the British scene impresses you most?
Ian: Nobody springs to mind but I’ll get back to you if I think of anyone...
BM: What is the biggest festival you have played?
Ian: In terms of people I guess Waterfront in Portland Oregon. 25,000 in total.
Ian: Probably cooking or fishing.
BM: What bluesman (dead or alive) would you like to play with, live on stage?
Ian: Muddy, no doubt
BM: Aims for the future and what do you hope to achieve within the Blues?
Ian: I don't think in terms of what I will achieve-I just keep going and see what happens. I've got a whole bunch of stuff in the pipeline which I can't reveal yet. Watch this space!
BM: Why do you feel that young people are not as attracted to the Blues as other Genres?
Ian: I think it's the way it's generally presented, particularly in Europe. It's often played by people who don't have stage-craft or imagination-they play the lowest common denominator of the genre because they think it's "easy" and they can get away with it. So many times I’ve had kids approach me after a gig, having been dragged along by their parents, and they've told me they didn't know Blues was like that or that it could be exciting/entertaining. This is the roots of Rock and Roll for Chrissakes!
Ian: Essentially ALL American Roots music
Ian: Commitment from the artist and the musicians around him-their involvement in the gig and respect for both the music and the audience (provided the audience affords them the same). Imagination, depth-and being able to SING!
BM: What can be done to keep the blues music fresh and modern or do you think it should stay in the past?
Ian: That's tough. It's always been a pretty progressive form so I see no reason for it to stay in the past. Plenty of guys out there are keeping a foot in the past but still pushing the music forward. Having said that I LOVE to hear someone like Nick Curran absolutely nailing Little Richard or even Phil Spectors sound-Eli "Paper-Boy" Reed and James Hunter spring to mind too for being very, very good at retro.
I think it's about finding your own particular niche and playing it respectfully and from the heart.
And keep on keeping on.
Thank you Ian for taking the time to fill out this interview
Barry Middleton
Nottingham Blues Society
Ian: Unquestionably. Better scene and, overall, better musicians.
BM: Which country do you enjoy playing in most of all?
Ian: Well I like all of them. Holland and Belgium are particularly good to me but everywhere in Europe is extremely hospitable. I enjoy the U.S. for the standard of musicians.
BM: Who was the last blues act that you paid to see?
Ian: I don't go to many gigs, least of all Blues. I guess Mavis Staples last London show-that was pretty Blues-ey!
BM: What was the last blues CD that you bought for yourself?
Ian: It's been a long time....can't remember!
BM: What do you do to relax when you have some spare time away from music?
Ian: Back to cooking and fishing again-although the former is something I do a lot more of. I get very little spare time!
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