© J Tortora
Guy: I grew up in Pasadena in Southern California. My youngest experience of the blues was listening to night-time AM radio in a little place where my parents used to spend weekends out in the Mojave Desert. When the atmospheric conditions were right you could get stations from east of the Mississippi. Some of it was old style country music, some played gospel and revival stations, and some played (mostly electric) blues and RnB. I was still pretty young when the big 60’s blues craze hit, so like a lot of young white Americans at the time I was introduced to a lot of the blues that was invented in my own country by British bands like the Rolling Stones. When I was old enough I found out that there were some little joints in Pasadena’s African-American neighbourhoods where they played the blues all night long!
BM: Your first instrument was a violin, have you ever thought of featuring the fiddle on any of your albums?
Guy: Yes I have, but so far I haven’t found the right player for that particular job, though we did put a little string section on one of the tracks for the “Living on Credit” album.
BM: You have never been a person to stand still with your music, using all different genres to find the right sound; do you think more “blues artists” should spread their wings?
Guy: I don’t see why not. There’s a real danger that the music is getting stuck in a groove, like some of that old vinyl we used to play. But there’s the problem that if you get too far from the source folks say “that ain’t the blues”.
BM: Does “Living on Credit” epitomize Blues musicians?
Guy: Not just blues musicians, but probably just about any musician you know! I was having one hell of a time trying to tame my cash flow when I wrote that one. The world of music is a great mountain, and there aren't many who get up above the tree line.
Guy: Why do I have to choose only one? I guess right up there at the top would be the likes of Muddy or BB King, Taj Mahal, Skip James -- Bonnie Raitt. This list could end up being very long!
BM: Why do you feel that young people are not as attracted to the Blues as much as other Genres?
Guy: I’m not sure. Maybe in some ways it’s over familiarity with a music that has after all been an important foundation for much of the popular music we know and love from the late 20th century until now, but doesn’t seem to have moved. The folk scene seems to have gathered in quite a few young players who are making a contribution to moving that music forward. Maybe that's just the fashion right now and more young ones will come in time. Many young blues players seem to move on quickly from the house of blues to something else
BM: The track “Cotton Was King” is a very touching history of the blues, how long did it take to put together this amazing track?
Guy: Yes, that's an interesting track – it was written while the “Credit” album was still in production and was one of the last tracks to be completed. The chord changes had been floating around in my head for a while, but once the lyrics kicked in it came together really quickly as is often the way with the good songs. I felt a little superstitious about the idea, so I insisted that everybody who played on the backing track did so without a guide vocal, and even my engineer and co-producer Tim Burns had no idea what was coming up when we did the vocal, which was pretty much done in one take. Maybe one day someone will use it in a movie or something.
BM: What makes a good gig for you as a performer?
Guy: When the feeling is a “good’un” for both me and the audience – when I feel I’ve given my best and it’s been well received. Sometimes there’s a funny dis-connect when you perform. Folks in the audience come up and say it’s been a great night when you feel in yourself that you could have done better, or you feel you’ve performed well but the audience is luke warm. When both things come together at the same time it’s magic for everyone.
Guy: Well the first guitar I ever played was my big brother’s Spanish guitar, much too chunky for my small hands at the time. The first guitar I had of my own was a Fender Mustang, which was a much better guitar than I realized at the time I owned it. I later had to sell it up to help pay for my flight when I first came to Europe, something I’ve regretted ever since.
BM: You are a singer/songwriter. What drives your song-writing?
Guy: When my un-conscious or sub-conscious mind gets into gear it just seems to drive on automatic -- I feel like all I’m doing is taking dictation. Other times it's a struggle. But the content of the song has to have some meaning for me or it doesn’t work, and I can’t put the song across.
BM: What’s your advice to a young person just starting out?
Guy: You do it because you love it, because you have to do it – that’s fine, it’s a gift. But take care of business, too -- don’t let anybody screw you over.
BM: How would you like to see the music industry change over the next 10 years?
Guy: I’d like ‘em to pay my bar bill!
BM: Which young act on the British blues scene impresses you most?
Guy: I haven’t had the chance to see many! Kyla and Danny are great musicians, and Bex Marshall is a very dynamic performer. Matt Schofield does a great show.
© J Tortora
Guy: Read, go to the movies, go hiking, pay my bar bill.
Thank you Guy for answering my questionnaire
Barry Middleton
You are viewing the text version of this site.
To view the full version please install the Adobe Flash Player and ensure your web browser has JavaScript enabled.
Need help? check the requirements page.